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    ACGP翻墙

    Front Cover by Naudline Pierre
    Hold On, Hold Tight, 2024. OIL ON CAVAS.

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    FOR THE PAST DECADE, when introducing a new issue I’ve followed a simple rule, more or less strictly. Even though I do believe that all art emerges from history, just as all consciousness is ultimately biology (and also that we’re more or less equally far from understanding the specific pathways that lead to either), for the intros, I’ve always ruled out references to what’s happening now. Publication is a material process and it takes time, so the now I’m writing in will not be the now of your reading. In this moment, my now, spring has officially sprung only days ago, and yet this issue in your hands, in your now, cannot possibly be opened earlier than mid-June, a few days before summer. 

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    日文游戏翻译软件|喵翻 V2.8 绿色免费版 下载_当下软件 ...:2021-1-16 · 很多阿宅喜欢玩日本GalGame,但是并不是所有的GalGame的都有汉化的,但是不懂日文的你看不懂游戏的剧情很是烦恼,那么这个喵翻2.8版就能为你快速翻译GalGame,很强大哦!

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    By Nia Imara

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    By Allison Grimaldi Donahue

    poetry

    ACGP翻墙

    By Tomas Tranströmer, Translated by Patty Crane

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    Marie-Célie Agnant, translated by Dawn Fulton

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    ACGP翻墙

    By Edward Clifford

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    Broadsides

    ACGP翻墙

    The 2024 winner of the Anne Halley Poetry Prize is Amit Majmudar for his poem, "Invasive Species," published in 翻PN软件.

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    Amit Majmudar's next books are Soar: A Novel and Kill List: Poems. His most recent book is Godsong: A Verse Translation...

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    Poet Desirée Alvarez (Volume 61, Issue 1) reads from her latest book, Raft of Flame (OmniDawn).

    “We are the heirs of a legacy of creative protest [...] the teachings of Thoreau are alive today, indeed, they are more alive today than ever before.”

    —REV. MARTIN LUTHER KING, JR. (MR 4.1, Autumn 1962)

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    - By Edward Clifford

    All day the sun moved over the rock I say on.
    All day I tried to think like an elk.
    I'd been drinking bad wine
    from a thermos and counting the blades
    on little bluestem. It was nearly dark
    when they finally appeared under the gnarled oak,
    brown legs in prarie grass. And there's the bull—
    —from "Ghost Child," Volume 61, Issue 2 (Summer 2024)

    Tell us about one of the first pieces you wrote.
    In college, I was fortunate to take a workshop with Frank Bidart. I was an English/Pol Sci major but hadn’t taken any creative writing courses. I remember so clearly my first poem for that workshop! I wrote about my great-grandparents and the cabin they build by hand in the Black Hills in 1929....


    Our America

    The Presence of the Past of Things

    - By Patricio Pron

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    - By Ward Schumaker

    A neighbor boy asked me what I remembered of the 1918 Flu Pandemic. I had to explain that, appearances aside, I wasn't quite that old. But in fact, when I was very young the world was hit with a different epidemic, one I couldn't comprehend at the time but which affected my family greatly. In my mind it became a mystery that needed to be unraveled and as I got older, in hope of understanding, I'd frequently ask my dad to repeat this story:

    “It was 1948,” he'd tell me, “year of the epidemic. You were four, maybe five. I was dressing for work when your brother Cliff came running into the bedroom saying a man was pacing back-and-forth in front of the house, crying. Outside I found Chuck Renston walking in circles, holding his head and sobbing. Polio...


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    10 Questions for David Moolten

    - By Edward Clifford

    We stayed together like two voices
    trying to find each other in the dark.
    She had an uncle like a father to her
    except when like a king he made her
    bow her head, and if he held it
    to his groin it was in a secret life
    she kept from no one save herself. . . .
    —from "The Twelve Dancing Princesses," Volume 61, Issue 2

    Tell us about one of the first pieces you wrote.
    One of the first mature pieces I had published was a poem called “Trajectories,” about a boy diagnosed with cancer and his relationship with his mother. I was at that time dealing with such a diagnosis. I wasn't a boy. I was twenty-six, but scared, felt I'd suddenly regressed in certain ways. At the same time, the...


    Interviews

    10 Questions for Mirgul Kali

    - By Edward Clifford

    The pass through the mountains led into a narrow, serpentine ravine with dense forests of birch and poplar on both sides. A caravan of nine camels loaded with bridal dowry and accompanied by a couple dozen men and women on horseback slowly made its way along the rocky trail, now ascending steadily, now dipping abruptly downhill. The sun, that had only recently been seen high overhead, occasionally peeked between the stark gray hilltops, which crowded and clambered on top of one another. At times, the sun hid behind them and shadows fell on the canyon walls, turning them deep green. Only the pale bark of the tall birch trees, slender and close-set, shone dimly in the dark. Toqsaba, riding in the middle of the procession kept turning to look at his young bride.
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